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Cake day: December 11th, 2024

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  • Some context on this comic:

    Transcript:

    In my first year or so of drawing The Far Side, I was scared to death of making mistakes in the artwork. Incredibly, I had never heard of a product called “White Out” (for covering up mistakes) and the smallest screw-up meant starting over. So, as I’ve indicated under each of these cartoons, I sometimes left things out.

    I hate drawing this type of rug because I can never seem to make the concentric circles come out right. I’d get halfway, as shown, and quit.


























  • Some background on this comic:

    Transcript:

    Every time I do a cartoon about dungeons and torturing, etc., I get a letter from a group called Amnesty International. They feel cartoons on this subject are insensitive to the fact that torturing is something that continues to this day all over the world. And, although I feel my cartoons treat the subject in a mostly harmless way, this group has at least raised my consciousness to this problem.

    But what I want to know is, does Wizard of Id get these letters?


  • Some context on this comic:

    Transcript:

    Drawing God in any context, let alone a cartoon, poses some obvious risks.

    In the upper left cartoon, I was careful to do two things: First, I made God look the way I think most of us are pretty sure he looks. Secondly, I made sure he was really winning hands down. Even if Norman had only ten points it would have meant that he beat God to the buzzer at least once, and someone would have gotten mad.

    “In God’s Kitchen” was fairly benign, since the emphasis was mostly on the earth and the suggestion that things aren’t quite normal here and why.

    I was mostly worried about the last cartoon shown here. Not because of readers, who for the most part found it to be a light and silly drawing, but because I started to feel like I was bucking for a lightning bolt to come out of the sky and turn me into something like the kid here.