The Beginning got TONS of crap when it came out. DK2 as well, although a bit less so because it’s less of a departure.
I’ve gone back to both since and I agree with you that Populous was way ahead of its time and holds up much better than other strategy games of the time.
It is exactly the same beast. The beasts are the same. It’s the same picture.
I mean, respect to your extremely wrong preferences, friend. Not everybody has the same use case. I’m not too sure who feels the need to come all the way out to do PR for a multibillion dollar corporation specifically on the basis of not being super into playing the stuff they buy from them, but you guys are clearly out there and I hope you are living your best lives. I’m not gonna say the cultish vibes one sometimes gets from the Valve apologia aren’t concerning, but if it works for you it works for you.
For the record, I don’t even dislike Valve. They’re just a gaming first party like any other gaming first party. I buy stuff on Steam just like I buy stuff on PSN. It’s all good. And I do like most of their first party stuff. If they ever decide to get back in the business of actually making games I’ll probably check them out.
Also for the record, I do download and back up everything I buy on GOG. It all goes to the same backup space where I dump my BluRays and my CDs. And I absolutely have purchased most of the 2000+ games I own on GOG through sales, so I don’t know about the value part either. Just today I played a 30 year old game and bought a brand new game from 2024 on GOG, so…
Well, most of these run on Dosbox and you can download DRM free installer packages directly from their website, so there’s that.
But the Linux gaming crowd here keeps telling me how well Lutris and Heroic are supposed to work when I explain to them that I use a Windows handheld while my Steam Deck is gathering dust, so I’ll point them to this next time instead of just telling them those don’t quite do it for me.
All joking aside, yeah, I’d love GOG having a better client overall, including a Linux port, but the quality of the packages and the lack of DRM easily trump that, so still buy these on GOG.
All of these were already on GOG.
Buy them there instead.
Hi, yes, I’m here. The user. Of both, in fact.
Both Bluesky and Mastodon have their quirks and their different cultures. The feature sets of their protocols may also be different, but they sure aren’t relevant to the experience at all, because federation is not a user-facing feature for the vast majority of the social media experience.
Stop cheerleading for social networks. Social networks are not your friends, including Mastodon or the rest of the “fediverse”.
I’m not sure about the digital-only stuff, but the OP is specifically talking about yt-dlp as an alternative to ripping the BRs, and I have to agree that ripping the disks will be easier and yields better results.
Hardware availability is the trickiest part, especially for UHD, but if you have a drive that will deal with the disks you have I certainly wouldn’t bother with the stream rip.
But hey, as a fallback, it’s good to have the option.
Oh, yeah, for sure. The marketing they did for Guardians was also very bad, it really made it seem of a kind with Avengers, which it really wasn’t.
There will be a lot to say about why Rocksteady is getting to the looter shooter space so late and why it was the exact wrong move for the studio and the franchise. Unless the game is great and everybody buys it, I suppose.
Oh, big difference there, though. Suicide Squad actually IS a looter shooter driven by a wish to chase a business trend from five years to a decade ago. Guardians is a strictly single player Mass Effect-lite narrative action game (which yeah, given the material that fits).
I’d be with you in the argument that it would have been an even better game without the Marvel license, because then they could have skipped trying to rehash bits from the movies’ look and feel, which are consistently the worst parts of the game. But then, without the license it would never have been made, so… make mine Marvel, I guess. Well worth it.
Nah, I’m mostly kidding. About the being my enemy part. The game is, in fact, awesome, and you should fetch it somewhere before the absolute nightmare of licensed music and Disney IP bundled within it makes it unsellable on any digital platform forever.
Seriously, I bought a physical copy of the console version just for preservation, beause if you want to know what will be in the overprized “hidden gem” lists of game collectors in thirty years, it’s that.
Well, then you’re my enemy, because that game is great, Marvel connection or not. In fact it’s a fantastic companion piece ot the third Guardians movie, because they’re both really good at their respective medium but they are pushing radically oppposite worldviews (one is a Christian parable, the other a humanist rejection of religious alienation).
And yeah, holy crap, they made a Marvel game about grief and loss and managing them without turning to religion and bigotry and it was awesome and beautiful and nobody played it and you all suck.
Well, it depends on when they cancelled it and on how much it cost. That thing didn’t sell THAT poorly, but Square, as usual, was aiming way above what’s realistic. Estimates on Steam alone put it above 1 million copies sold. You can assume PS5 was at least as good.
Based on those same estimates it actually outsold Guardians. Which is an absolute travesty and I blame anyone who hasn’t played it personally.
It’s all usable when you get used to it, but this is a great thread to link for people who develop scripting and programming languages, or just text-based technical interfaces. Because yeah, all that crap is designed with the US layout in mind and screw whoever chooses to use ~ and | as commonplace characters.
FWIW, I don’t even code and I still keep a US layer in the background. I forget which one I’m using constantly, it’s all muscle memory. I just Win-space and try again whenever I type a character and it’s not what I expect.
Hey, at least that game came out. Plus Eidos Montreal also made the actually really, really damn good Guardians of the Galaxy game nobody played. I’d make that trade.
Man, these guys really can’t catch a break. That sucks, they make pretty solid stuff.
I am honestly not super sure about this strategy of buying your way into being a major publisher by vacuuming up IP nobody else was bidding for. What did they think would happen? Did they think the old majors were leaving a ton of money on the table and then realized too late that these really weren’t that profitable? Or was it just a bid that the low interest rates would last forever and the portfolion would just pay for itself if they bundled it large enough?
I don’t know what the business plan was meant to be, and it’s kinda killing me that I don’t fully grasp it.
The only one remotely close to being a hit was the first reboot. I guess it depends on whether you count the “I can’t believe it’s not Deus Ex” franchises they kept spinning up for a while. The first Dishonored probably did very well.
In fairness, the headlines written around this were generally atrocious, save a few (shout out to IGN and the original reporter, which may or may not have been techradar). Sure, in most of those you could read a more complete quote inside, but… staying at the headline isn’t just a gamer thing. Clickbait is dangerous for a reason.
And also in fairness, the point he’s making is still not great. I mean, he’s the guy in charge of their subscription service, so I wouldn’t expect him to be too negative on the idea, but he’s still saying that it’s a future that will come. Not that all models will coexist, but that a Netflix future for gaming is coming.
But yeah, gamers can be hostile without justification and often default to treating every relationship with the people making the games as an antagonistic or competitive one, which is a bummer. In that context, letting this guy talk was clearly a mistake.
Oh, it makes sense. I think there’s a place for subscription services, absolutely.
I don’t think a transition to subscription as the default model for gaming makes sense, though. Which was the point of the question and the implicit goal in the answer. And even if it did make practical sense (if people “got used to it”) it’d be bad for the art form and the industry on the aggregate.
Alright, I was only gently pointing it out because what he actually said is still a pretty bad take, but at this point it’s just annoying.
No, he didn’t say that.
He said that gaming subscriptions won’t take off UNTIL gamers get used to not owning their games. Wihch… yeah, it checks out.
The all-subscription future already sucks, can we at least limit our outrage to the actual problem? I swear, I have no idea why gaming industry people ever talk to anybody. Nothing good ever comes of it.
So far I don’t know of any services that will just hand you a digital file of a movie outside of physical media.
I say that’s a damn fine business opportunity, because I’d be all over it, but hey.
It absolutely does.
I do take issue with the idea that shilling for Valve versus GOG is on the same level, though. CDPR’s entire market valuation is like 20% of Steam’s revenue for one year. Based on best data available CounterStrike loot boxes make more money than all of GOG’s store.
I’m not shilling for GOG. I’m shilling for DRM free stores in general. GOG just happens to be the one that has these EA games, but if you can find what you’re looking for in a different place with a DRM free mandate go for that!