Khrux

I deleted my comment because I came from the TTRPG network homepage and didn’t realise I was responding to pathfinder. I gave quite a few D&D 5e specific examples and was a little worried people wouldn’t be happy about it.

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I loathe their lootbox system but I’d say valve is better than their rivals in most places. I’d put them far above Epic, Playstation, and Xbox for their games marketplace, far above meta in the VR space and on par with the game developers I respect in basically every aspect except lootboxes.

I don’t think we should respect, like or trust any large businesses but Valve is certainly the lesser evil of many choices.

I agree that no games are uncrackable in theory, but to my understanding (from about two years to two months ago at least), there were only two people able to crack new denuvo games due to how intensely complex the task is. One of those people only cracks football games and the other is EMPRESS, who from what I’ve seen glancing into the scene, is one crazy lady.

Although modern denuvo may technically be crackable, but while it’s so difficult that only a handful of people have the skill to do it and takes hundreds of hours of work per game, for all intents and purposes, it may as well be uncrackable.

The game I always think of checking out is Assassin’s Creed Mirage, just to find it hasn’t been cracked.

I know assassin’s creed is a bit of a crap franchise but I have a love / hate relationship with the game and think mirage looks made for me. Every few months since release I’ve looked up it’s crack status and not just has it not been cracked but generally the comments around it are that it’s from the new era of uncrackable games.

I don’t play many AAA games but I’m forever gutted that the fight to make them able to be pirated is a losing battle. I want to pay for my indie games but on occasion I look online at the crack status of AAA games from oecen 2-3 years ago and they’re still not playable.

It creates a weird dichotomy where people who pirate or at least don’t buy expensive games don’t take part in the mainstream gaming conversation at all, which is totally different from the rest of pirated media.

This is also probably off topic because I can’t load the YouTube video.

I was talking about the second Dune film a little while back and saying how much I enjoy a well realised world that doesn’t try to convey itself by comparing itself to ours. I get the same feeling watching Dune and Lord of the Rings as I do when I watch a film from a culture I’m not familiar with; a sense of needing to adjust to their way of storytelling.

Pairing this with what you mention which is basically extra subtle show don’t tell, and you end up with something I absolutely adore, which is a story in a fully realised culture I know nothing about, that understands that the bare minimum amount of that culture I need to understand to fully enjoy the story can be the best amount to have.

I was going to say how rare this is but thinking about it, it actually isn’t. Tolkien’s cosmology is fully realised and vast yet I learnt basically no fluff about the world that wasn’t necessary to the story. Sometimes I just had to make peace with the fact that I didn’t understand the cultural context, I could only measure it’s importance in the attitude of the characters.

That’s the shit I love.

I’ve read quite a few anecdotes and quotes about Gygax’s misogyny before but I agree with you, I don’t think there is nearly enough information I these gods to extrapolate that it’ embodies all powerful masculine forces as good and all feminine as evil, especially as the article mentions how this perpetuates pre-existing coomo themes in story and myth. Everything we know about Gygax would say he’d lift from myths with sexist themes without adjusting that, rather than add them with intention.

Do do think there is myriad evidence that Gygax believed femininity to be inherently inferior, but that’s different from evil. It’s still stupid and worth highlighting but by excessively demonising him to the point of nearly making things up, it’s just fuel for people to dismiss the valid points.

A flash of light streaks toward a creature of your choice within range. Make a ranged spell attack against the target. On a hit, the target takes 4d6 radiant damage, and the next attack roll made against this target before the end of your next turn has advantage, thanks to the mystical dim light glittering on the target until then.

Maybe I’m misunderstanding something and the phrasing isn’t perfect but I’d say the combination of saying that the advantage is caused by the light and the advantage lasting to the end of your next turn would mean that the light also lasts until the end of your next turn?

I agree completely that it’s inconsequential, one issue with the arguement about creative characters is that people often blend being unique with being compelling. A compelling character is where it’s inconsequential what choices you make.

That said, I think players who aren’t aware of the tropes PC’s often fall into may end up playing “the straight man” to the group, who is comparatively very plain. Players who have played for longer may feel that this is similar to PCs they’ve seen before. But even then, it doesn’t really matter as this PC trope shines in contrast to the rest of the party and that rarely changes.

Unrelated but I wanna say how proud I was of my Baldurs Gate3 character. I felt that your TAV in that game was quite plain and generic no matter what you chose, so played as a human fighter called John Baldurgate who was the most generic character possible and had a blast.

Indie also covers an enormous financial area. People generally group games into AAA, Some nebulous middle ground games that are generally produced by the major studios but aren’t AAA and Indie.

There is a difference between indie games that sell millions of copies vs dozens and this lack of discrepancy makes this complex. I once pirated a game called infernium after seeing a friend play it on switch, then learnt that it’s an absolutely tiny game by a solo developer. I happened to adore the level design and lore of that game so much that I bought it on steam and then bought all of his other games too just to support him.

On the flipside, we refer to a game like Hades as indie. I love supergiant games and have purchased all their titles but I would have felt zero remorse at pirating Hades.

Maybe the only thing that I feel is sad in all of this is that the massive AAA games takes years to be cracked nowadays, which means only indie games are pirateable. I don’t like the unfair dichotomy this creates. There are probably a reasonable amount of people who pirate indie games and buy AAA games for this reason, and that’s bad for industry.

Although you could travel the land. Perhaps not cross the Sahara but if you lived in the Roman world, you could quite easily take some years to walk off the edge of the map and just explore. There would of course be a good chance of death from illness, animal or person, but equally like today, you may also meet plenty of kind people who would let you stay and maybe even share their knowledge of the area and culture.

Oh no, I hate this art and design style:(

Yeah this is a fantastic building for the robotics complex at a university.

I’m only talking from watching PF2e actual plays and playing a lot of 5e but I’d say PF2e combats would run 1.2x longer under the same conditions as a 5e game.

I’d say DM style is easily the biggest influence, I’ve played in games where a one hour combat is the significant boss battle of a campaign, but rules for 6 rounds, and I’ve played in games where a 6 hour battle may be normal, potentially with as few as 4 rounds passing (the latter one absolutely does kill me though, I think my character in that game has actually developed to avoid a fight because I dont want the faff). I’d say DM style can influence a combat length by 3x or more.

Similarly an understanding of general efficiency in combat from the players too can half a combat length pretty easily.

I wouldn’t worry about it extending the game length, any extra time is pretty negligible compared to steps you can take to stop the time of combat unraveling.

I find I really need to get over the hump into it feeling like a parasocial relationship, which is kinda a shame. The only time I’ve enjoyed actual plays is when I’ve seen people who I was already fond of from other internet content play, and on top of that, never in a gimmicky setting like a promotion one-shot.

Basically it’s not for the actual play, it’s for living through their friendship, then occasionally the drama of the game spills forth and gives it an extra kick.

2-3 years of pumping shit video games is 2-3 years that they aren’t fucking with the core product, which is the only part I don’t want ruined. The can make bad games, bad merch, bad brand tie-ins or anything else for all I care as long as they don’t harm the game.

I’m not particularly clued into the industry but I’m not shocked. From what I’ve seen, Cynthia Williams believed the most profitable direction for D&D was to monetise game game at a very granular level like microtransactions, as we saw in the OGL debacle, plus her focus on the VTT was likely going to manifest in a similar way.

I’d say the explosive success of Baldur’s Gate and the surge in WotC talking to practically all games companies possible, it’s clear they’ve set their sights on a hopeful path to continued revenue growth that does not offend any fans.

My assumption is that Cynthia simply centered her leadership on a path that is no longer the direction the company has deviated from.

Thank you, I’ve realised that my approach seems a little different from other here, where I try to pick an RPG for an idea that’s forming in my head, based on the genre and tone, settling on an RPG that’s 80% there but people love the ruleset, then I chop and change it to get close enough to 100%.

This is probably detrimental in a few ways too, as some games like Lancer are unchangable until I’m familiar enough to peel apart the interwoven mechanics and lore, and I’m not going to touch it because I almost never run official settings and adventures, particularly in longform games.

I will shout out both Alice is Missing and For the Queen, which both get worse when they get altered, because their strength comes from their simplicity and then probably ridiculous amount of playtesting.

Any gumshoe game, probably something shorter than Nights Black Agents: The Dracula Dossier. If I set it in my own setting, I’d like to use Bubblegumshoe to do my own telling of “Tomorrow When the War Began” basically what happens if on the summer camping trip after your last school year, your country is invaded. I can’t quite tell how good Gumshoe is for homebrew settings however.

My other want is to run a worldbuilding game such as the quiet year, for the queen or microscope, hacked to set up a concise and thematic noir mystery inspired by fiction like Disco Elysium, The City and the City or The Nice Guys, with a rich and vibrant world that the players are invested in as they built it. I’m tempted to hack the bladerunner RPG by Freeleague for the actual police procedural afterwards.