You’re thinking of my brother, Zathras.

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Joined 5 months ago
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Cake day: May 24th, 2024

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  • From the just released GOP 2024 party platform (PDF), this is a single bullet point in CHAPTER THREE: BUILD THE GREATEST ECONOMY IN HISTORY:

    Republicans will pave the way for future Economic Greatness by leading the World in Emerging Industries.

    Crypto

    Republicans will end Democrats’ unlawful and unAmerican Crypto crackdown and oppose the creation of a Central Bank Digital Currency. We will defend the right to mine Bitcoin, and ensure every American has the right to self-custody of their Digital Assets, and transact free from Government Surveillance and Control.

    Artificial Intelligence (AI)

    We will repeal Joe Biden’s dangerous Executive Order that hinders AI Innovation, and imposes Radical Leftwing ideas on the development of this technology. In its place, Republicans support AI Development rooted in Free Speech and Human Flourishing.

    Expanding Freedom, Prosperity and Safety in Space

    Under Republican Leadership, the United States will create a robust Manufacturing Industry in Near Earth Orbit, send American Astronauts back to the Moon, and onward to Mars, and enhance partnerships with the rapidly expanding Commercial Space sector to revolutionize our ability to access, live in, and develop assets in Space.

    When your party platform is just a long-form weird tweet that you wrote after bong rips with Elon Musk.






  • It is not, in fact, bad that copyright applies to a wider group than publishers, unless you are using “publisher” extremely broadly to apply to “creators”.

    If “someone gets attacked for posting an image on social media”, that rarely means “lawyers came after me because I posted a screenshot of a page from Sandman”. It often means that the poster took someone else’s art, snipped off the artist’s signature, and posted without attribution, and the artist is rightfully angry. Copyright is what enables that artist to continue to eat and make more art. The same goes for music, or software, or movies.

    Sure, the system is horribly abused by uneven power structures, as every system in the world is. For music especially, we all know that the takedowns are usually issued by people who have nothing to do with the creation of the protected work, because of the way licensing and rights grants work in that industry. Automated takedown systems (which have to exist because of the scale of online content) also have no reasonable appeal mechanism, and the people making the decisions don’t (and can’t) make reasonable assessments about fair use and transformative works.

    I’m not saying that everyone who participates in piracy is a bad, wicked thief–I absolutely participate in it myself. But copyright is not the villain here; that’s just trying to make us feel justified about our actions. Someone made a creative work I enjoyed, and I don’t have a moral right to the product of their effort for free.














  • He says some pretty ignorant stuff in this post that undercuts his argument, though:

    Here’s the problem: establishing that AI training requires a copyright license will not stop AI from being used to erode the wages and working conditions of creative workers. The companies suing over AI training are also notorious exploiters of creative workers, union-busters and wage-stealers. They don’t want to get rid of generative AI, they just want to get paid for the content used to create it. Their use-case for gen AI is the same as Openai’s CTO’s use-case: get rid of creative jobs and pay less for creative labor.

    This isn’t hypothetical. Remember last summer’s actor strike? The sticking point was that the studios wanted to pay actors a single fee to scan their bodies and faces, and then use those scans instead of hiring those actors, forever, without ever paying them again. Does it matter to an actor whether the AI that replaces you at Warner, Sony, Universal, Disney or Paramount (yes, three of the Big Five studios are also the Big Three labels!) was made by Openai without paying the studios for the training material, or whether Openai paid a license fee that the studios kept?

    The writers’ and actors’ strikes, in an overwhelmingly unionized workforce, did not say “hey, we as a labor force want a cut of the dirty GPT lucre”. Instead, they said not today, satan to studios working with GenAI at all. And won. Those writers and actors, who are overwhelmingly huge supporters of copyright and moral rights, defeated the rich assholes at the Big Five not by throwing up their hands and giving all their creative output to the glurge machine, but by unionizing and painful, hard-won solidarity.

    Whether SAG-AFTRA and the AFM (or non US equivalents) can organize as effectively for musicians and lyricists is unclear. But Cory, who claims to be a leftist, is defaulting to “you as a musician should work for free” and not “you as a musician should organize to counter the power of capital”, and that’s about as leftist as Grimes posing with The Communist Manifesto.