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Joined 2 years ago
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Cake day: June 27th, 2023

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  • I can’t be bothered to look up the details (kinda in a fog of sleep deprivation right now to be honest), but I recall HPMOR pissing me off by getting the plot of Death Note wrong. Well, OK, first there was the obnoxious thing of making Death Note into a play that wizards go to see. It was yet another tedious example in Yud’s interminable series of using Nerd Culture™ wink-wink-nudge-nudges as a substitute for world-building. Worse than that, it was immersion-breaking: Yud throws the reader out of the story by prompting them to wonder, “Wait, is Death Note a manga in the Muggle world and a play in the wizarding one? Did Tsugumi Ohba secretly learn of wizard culture and rip off one of their stories?” And then Yud tried to put down Death Note and talk up his own story by saying that L did something illogical that L did not actually do in any version of Death Note that I’d seen.

    And now I want potato chips.










  • What happened was that I had a handful of articles that I couldn’t find an “official” home for because they were heavy on the kind of pedagogical writing that journals don’t like. Then an acqusitions editor at Springer e-mailed me to ask if I’d do a monograph for them about my research area. (I think they have a big list of who won grants for what and just ask everybody.) I suggested turning my existing articles into textbook chapters, and they agreed. The book is revised versions of the items I already had put on the arXiv, plus some new material I wrote because it was lockdown season and I had nothing else to do. Springer was, I think, the most likely publisher for a niche monograph like that. One of the smaller university presses might also have gone for it.