I’d argue spreading complete bullshit is always harmful. And if scientifically proven a bullshit (and this was not her only horribly wrong claim), she should not be kept in an academic position. If she’s not academic and therefore in position of authority, then let her believe whatever she wants - I agree with you on this condition.
This theory has surely been proven as bullshit, though. It’s not good to tolerate every opinion, no matter how outright wrong it is.
Agree, the final cut is good. I prefer the first version, but that’s a question of personal preferences, not of quality of the versions.
I hated the book as a kid. I felt that the point was that children get failed by adults and the only way out is suicide, which was fortunately something that didn’t resonate with my experience.
Everything everywhere is best enjoyed in your 40s though, as you understand the experience if both the daughter and the mom - who’s the film’s focus.
Alright then, keep your secrets.
For how many people? My family would never eat the whole of this.
Let me add that there’s also plenty of us that don’t mind male pattern baldness and don’t find it necessary for the men to shave. The partial baldness looks just ok, no need to feel bad about it!
Enshigi reality is a thing now too, I’m afraid.
This is UK first, though.
You expertly avoided the traditional cop out joke.
It seems not livinig with him anymore was not the purpose. Divorce would have not provided her with enough money.
Sorry for OT, but I love your username, yum!
How about Lower Decks? I found them very satisfying.
Good dramatic actors combined with campy and goofy and not really scary sounds great to me. To give you context, I loved Everything Everywhere and Poor Things. I’m willing to give this a try. The critiques I’ve read sounded like the screenplay is not brainless either, but doesn’t really hold together well enough for the film to really work. Pitty if that’s the case.
Well, yep, that’s kind of what op is talking about. Star Trek used to scratch a certain itch for people like me in a way other media rarely did. There are people like me in younger generations as well. I feel like the approach you’re talking about is not uncommon for other series/films, while the idealistic approach is super rare or non-existing now. Therefore I find it a pity.
Well, I get you. I’m personally the oposite though: I need pure fantasy to give me hope, to set the ideal to strive for.
To add to what Aceticon said, Andor also shows the random evil of fascism, where people who just want to live their life and have no motivation to rebel are easily sucked into the insanity and given no chance to live their lives under the radar.
You can very well prove the physical imposibility of something biological.