Voting ended about two weeks ago, and Chalemet’s recent comments that caused negative press were about a week ago. So no, I don’t think they caused him issues.

The film itself is just fine. It is well acted, so maybe best actor, but Michael B Jordan and Leo both have him beat.

• Spider-Man: Homecoming, Released July 7, 2017, Digital on September 26, 2017, 81 days
• Spider-Man: Far From Home, Released July 2, 2019, Digital on September 17, 2019, 77 days.
• Spider-Man: No Way Home, Released December 17, 2021, Digital on March 15, 2022, 88 days.

The same is true for any Marvel film.

What am I missing?

Honestly whatever ice cream you favorite will work best, obviously vanilla (ish) works best, but vanilla, chocolate, or anything similar works fine. I wouldn’t recommend strawberry… but I bet someone will.

You believe whatever you need to believe.

Coldstone is not known for their vanilla ice cream.

I’m not going to pretend I was sober at the time, but I’ll defend it now that I am.

Ice cream and tacos.

Basically sub sour cream for ice cream.

Taco Bell and Coldstone was my go-to combo years ago.

This will 100% be part three of the WandaVision-AgathaAllAlong-VisionQuest story. The official cast list has Tommy. I expect a twin reunion in the finale, and setting up a search for Wanda by the end.

The Remarkable Life of Ibelin

Mats Steen, a Norwegian man born with Duchenne muscular dystrophy, becomes increasingly unable to participate in everyday activities. As a result, he spends most of his time playing video games, particularly World of Warcraft. His parents worry that he will miss out on life, unaware of what he does in the game.

It’s a tearjerker and ultimately beautiful story of the Internet and friendship.

Wart!

But that means he isn’t a dream. The lore!

I expect it to be a well told cameo fest, so both will probably be true.

We’ll all be Leo during the film,

But that doesn’t mean characters won’t have stories. I imagine the trouble will be some characters not getting enough screen time.

Buuuuuut, if we’re doing a soft reset after Secret Wars with the universes coming together, give all the legacy characters their moment and any team ups we want to see in the future can still happen.

You’re definitely right that the Sokovia Accords and Civil War address this. I was thinking more as we’re on the cusp of Doomsday/Secret Wars and introducing mutants if we might get Superhero/Mutant Registration Act as a major storyline.

Also I won’t spoil anything but having now seen the show completely, they discuss this concept a bit more in the future.

It did. It’s a bit of a bummer because Venom was highly financially successful and the first film was not half bad. That films success is what likely gave all the other films a shot, and to your point the Venom films were all financially successful despite the drop in quality.

I agree with everything about this article except the title.

For me this film is at its best after the vampire reveal and ends when most of the vampires are killed. The intro is fine but goes on a little long and while I’m always a fan of killing Klansman it feels like an unnecessary action scene after the climax of the film.

My vote is for One Battle After Another. It could be argued it starts slow as well, but once it gets going it is paved perfectly.

move the franchise forward

You’re absolutely right and we’ve been asking for this since the end of Voyager and I think one of the biggest reasons why Enterprise had such rough time.

90s Trek was fantastic and did a great job handing off to each other. Even Voyager being stranded was still moving the world forward. Then we reset back to the first Enterprise, absolutely killing all the momentum.

The best thing Discovery ever did (apart from soft launching Strange New Worlds which got lucky) was launch us into the far future and give us a place to build.

I never would have asked for that. Picard seemed like that path forward, but struggled (season 1), told a what if story (season 2), and then just did a fun reunion (season 3). But ultimately set up a Seven show that just never happened.

But we’re in the far future now. Discovery put us there. Starfleet Academy is building and moving us forward again. It’s not perfect, but it’s building and I’m in.

So this is a weird one.

Per Wikipedia,

The 4th Children’s and Family Emmy Awards… eligibility period ran from June 1, 2024, to May 31, 2025, mirroring that of the Primetime Emmy Awards.

The issue is that the most recent Primetime Emmy Awards show happened back in September 2025.

For some reason the Children’s and Family awards happen about 6 months later.

Hacks is excellent. The Last of Us is excellent. Although both of those are preparing for their final season.

Euphoria is excellent, although I expect season 3 to be their last.

That leaves The White Lotus which is also excellent.

I’ve also heard IT Welcome to Derry is excellent, but I haven’t seen it.

That being said they’ve been trying to get Dune as a series, Prophecy is getting a second season but I’m not sure the first season really worked.

We also have the whole of DC Studios. I agree it’s possible Gunn departs if the deal goes through, which would cause some major quality issues.

But there is the golden goose that is Harry Potter. It’s probably going to have a shit ton of people watching it.

So for big existing franchises, they’ll probably be ok, and GOT fits in there. But for original stuff, I agree they have fewer options.

Curious to know what you didn’t like.

I had issues with Kingpins rushed storyline. I think if Barton is afraid of someone we should have seen Kingpin do something that we the audience were afraid of. His relationship with Echo was interesting, but ends abruptly.

I think Yelana’s story needed a little more room to breathe. We understand she is upset, but we don’t know that she has the context of how Nat died and she is just lashing out. It feels like a revenge story, but really it’s a “just looking for someone to blame” story.

That being said I think Kate’s story worked really well. I think she had excellent chemistry with Clint and with Yelena. I liked the flip of the Swordsman being a good guy. It features an excellent musical.

Overall pretty good.

It’s not House of the Dragon, I just mean “Aegon’s Dream” was referenced in HOTD.

The specifics of Aegon’s Conquest aren’t known, just the big highlights. There isn’t likely to be a lot of background scheming and politics, because generally Aegon just shows up with a dragon and the enemy either agrees to Aegon’s demands (because dragon) or they don’t, dragon happens, and then someone else agrees.

There are bits that are interesting, but not many (which probably works fine for a film).

An “Aegon’s Conquest” film is probably the best way to tell the story. It’s not a particularly interesting story since it’s just man (and sister-wives) steamroll Westeros with dragons.

I’m sure you could spice it up a bit, but also Aegon is a conqueror and kind of a “bad guy” in that sense. He’s just chilling at Dragonstone and Westeros is mostly just chilling doing their own thing, and he just decides naw… it’s mine now. I’m guessing they’ll add some prophecy to give him reason, we saw this touched on in season 1 of HOTD. Basically there must be a Targaryen on the throne in order to stop the white walkers. Although GOT season 8 sorta disproved that, which I guess makes the whole of Targaryen rule and Aegon’s Conquest moot. So…

Either way, could be fun, but I don’t expect a lot from it.

which show runner

Beau Willimon, who created and wrote the majority of the first two seasons of House of Cards. (As well as the opening and closers of season three and four.) (Also the sixth season is like Game of Thrones season 8 bad, the difference is that no one watched it.)