TheImpressiveX@piefed.socialM to movies@piefed.socialEnglish · 18 days ago'Godzilla Minus Zero' is the First Japanese Movie to Be Filmed for IMAX; Confirmed to Be a Direct Sequel to 'Godzilla Minus One'variety.comexternal-linkmessage-square12linkfedilinkarrow-up184arrow-down12
arrow-up182arrow-down1external-link'Godzilla Minus Zero' is the First Japanese Movie to Be Filmed for IMAX; Confirmed to Be a Direct Sequel to 'Godzilla Minus One'variety.comTheImpressiveX@piefed.socialM to movies@piefed.socialEnglish · 18 days agomessage-square12linkfedilink
minus-squareKairos@lemmy.todaylinkfedilinkEnglisharrow-up3arrow-down12·18 days agoHell yeah! I love analogue film for a movie that’s 90% special effects! Imax totally isn’t a scam!
minus-squareTheImpressiveX@piefed.socialOPMlinkfedilinkEnglisharrow-up12arrow-down1·18 days agoThis is most likely being filmed in digital IMAX, not analogue.
minus-squareKairos@lemmy.todaylinkfedilinkEnglisharrow-up3arrow-down5·18 days agoI’m sorry, digital… IMAX? What benefit could that possibly provide? Better color matching?
minus-squareegregiousRac@piefed.sociallinkfedilinkEnglisharrow-up7·18 days agoAspect ratio that is tall instead of 16x9. The other option for shooting tall cinema is custom sideways anamorphic lenses like Hail Mary did for stuff on the space ship and in space.
Hell yeah! I love analogue film for a movie that’s 90% special effects! Imax totally isn’t a scam!
This is most likely being filmed in digital IMAX, not analogue.
I’m sorry, digital… IMAX? What benefit could that possibly provide? Better color matching?
Aspect ratio that is tall instead of 16x9.
The other option for shooting tall cinema is custom sideways anamorphic lenses like Hail Mary did for stuff on the space ship and in space.